 |
Americanisms: Myths and Realities (October 6)
|
| Angel Kalenberg (Ury) |
|
Americanisms: Myths and Realities |
| María Lúcia Kern (Bra) |
|
J. Torres García: Constructive Universalism and Utopic Aspirations |
| Javier R. Alcalá (Pry) |
|
Object Projects in Paraguayan Art |
| Gérard Teulière (Fra) |
|
Utopia and Myth in Today's Latin American Painting |
| Marcelo Pacheco (Arg) |
|
Political Texts and Absent Contexts: Contemporary Argentinean Art, Community and Memory |
| Pedro Querejazu (Bol) |
|
Bolivia, Where Myths Are Reality
|
Regionalism: Theory and Practice (October 7)
|
| Valeria Paz (Bol) |
|
Working the Thread of Regions and Senses in Guiomar Mesa's Work |
| Bélgica Rodríguez (Ven) |
|
After the End, or the Beginning? On Regionalism in Latin American Art. Where is Theory, Where is Practice? |
| Ticio Escobar (Pry) |
|
Art in Times of Globalization |
| Fernando Farina (Arg) |
|
Tucumán Arde (Argentinean artist group) |
| Juan Pita (Esp) |
|
Bolivian Art of the 90s- From Disillusion to Necessary Art
|
Movements (October 8)
|
| Gaspar Galaz (Chl) |
|
The Last Utopia: The Artistic Speculation at the Margins of Permanence and Transition |
| Gabriel Peluffo (Ury) |
|
From Federalist Imaginary to Mercosur: Art, Regionalism, and Globalization |
| Márcio Doctors (Bra) |
|
From Rationality of Concrete to Solidity of Real |
| Nelly Perazzo (Arg) |
|
A Postmodern Vision of the Utopia of Concretism in Argentina |
| Margarita Sánchez (Cub) |
|
Changing in Aesthetics: Reproductions and Approximations to the Utopic |
| Alberto Madrid (Chl) |
|
Recovered Scenes of Contemporary Chilean Visual Arts
|
Art and Politics (October 9)
|
| Andrea Giunta (Arg) |
|
Politics and Polemic on Eva Peron's Images |
| Nelly Richard (Chl) |
|
Memory Forms in a Changing Chile |
| Shifra Goldman (USA) |
|
Latinamericanization of the United States
|
Hommage à Mário Pedrosa - coordinator: Justo Pastor Mellado (Chl)
|
| Carmen Waugh (Chl) |
|
Mário Pedrosa's Chilean Years and the Solidarity Museum |
| Additional participants: |
|
Márcio Doctors and Frederico Morais (both Brazil) |
|
Latin America As Seen From Europe and the United States
November 3 - 5, 1997
Coordinators: Irma Arestizábal and José Augusto Avancini
Themes, participants and contributions:
|
Globalization and Latin American Art (November 3)
|
| Maria Amélia Bulhões (Bra) |
|
The Dilemma of Identity in the Time of Globalization |
| Carlos Basualdo (Arg) |
|
The Cultures of Globalization |
| Mari Carmen Ramírez (USA) |
|
Beyond Identity - Globalization and Latin American Art
|
Latin America's Absence from Art History (November 3 and 4)
|
| Edward Sullivan (USA) |
|
Cultural Unconsciousness in the Academy: Latin America's Absence in the History of Art |
| Irma Arestizábal (Arg) |
|
Argentina in the Biennial |
| Beverly Adams (USA) |
|
Brazilian Art in the USA: A Case Study |
| Jacqueline Barnitz (USA) |
|
Latin America's Standpoint in the Discussion of Western Art: From Absence to Fragmentation.
|
The European and North American Presence in Latin America
(November 4)
|
| Lisbeth Rebollo (Bra) |
|
Discourse of Latin America's Art History from 1950 to 1980 - Europe and the United States as Models |
| Estrella Diego (Esp) |
|
Latin America Again? (Which one?) |
| Jacques Leenhardt (Fra) |
|
Misplaced Perception of Art - The European View
|
Curatorships, Biennials and Art Magazines (November 5)
|
| Tahia Rivero (Ven) |
|
The Artist and the Museum: Compared Geography |
| Rosa Olivares (Esp) |
|
How to Live From Art and Not Die in the Attempt? |
| Paulo Herkenhoff (Bra) |
|
General Curator of the 24th São Paulo Biennial, 1998 |
| Karin Stempel (Deu) |
|
Change in Paradigm: Marginality in Perspective, and Art's Importance in Newspapers |
